Home Taxi driver 7 actors who put the method into action

7 actors who put the method into action


Method acting, in the context of modern cinema, is now mostly seen as a colloquial term. Originated from the great Russian playwright, Constantin Stanlisvaski in the early 20th century as a culture of one’s “art de vivre”, this rather consumptive approach to acting leads an actor to apply deep personal and emotional connections to a role in order to achieve a realistic and naturalized performance.

Related: 10 Method Actresses Who Refuse To Break Character

Among the greatest recognized practitioners are actors Lee Strasberg, Stella Adler and Sanford–Meisner, each of which has contributed significantly to the development of the method acting in practice. Adler, significantly, taught his approach to the cinematic icon Marlon Brando, opening the door to its introduction into the world of cinema, effectively transfiguring the discipline of screen acting. In the years that followed, it was started by a handful of respected players.

robert de niro

Robert De Niro in Taxi Driver

Student at both the Stella Adler Conservatory and Lee Strasberg’s Actors Studio, veteran actor robert de niro is, by right, arguably the most recognized practitioner of method acting in Hollywood. To illustrate this case, we can naturally cite two of his most culturally significant roles, that of Travis Bickle in Taxi driver and Jake LaMotta in angry bull. Both roles, moreover, were performed under the tutelage of the great Martin ScorseseDe Niro’s close friend and most recognized collaborator.

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The esteemed actor’s vast success in the film industry can be attributed to this confidence in the methodical acting process. For his role as the mentally unstable veteran Bickle, De Niro obtained a taxi license in order to study the behavior of taxi drivers; lost 30 pounds of weight and engaged in firearms training to give authenticity to his character’s violent tendencies. History will naturally repeat itself only a few years later. From Niro’s Academy Award– The winning performance as a middleweight boxer, LaMotta, was built on a dedicated study of the man’s real-life struggles with rage and his own self-destructive behavior.


Christian Bale

Christian Bale in The Machinist

Meticulous is a term that comes to mind here. Christian BaleThe often rigorous and transformative approach to acting has been well documented throughout his career and has helped to cement the Welsh actor as a cultural figure during a career that began as a child. 12-year-old actor in Steven Spielbergit is Empire of the Sun.

Bale seems to possess a remarkable gift for discipline despite adversity. His fluctuating weight patterns for roles in The fighter and american hustle defy belief, but still command admiration. On the more radical side, his performance as the insomniac Trevor Reznik in The Machinist was marked by a long jaunt during which the actor lost 62 pounds in preparation for the role. Bale, in fact, sought to push himself even further, only relenting due to serious health issues from the film crew.

Natalie Portman

Natalie Portman in Black Swan

Lee Strasberg (often referred to as the “father of method acting”) theorized that it was necessary for an actor to make direct connections between his own real-life experiences and those of his characters. For her role as Nina Sayers in Darren Aranofskythe dark psychological drama, Black SwanIsraeli-American actress Natalie Portman was able to draw on his own experiences of ballet studies; whom she idealized as a young girl, only fully concentrating on acting from the age of 12, where her career has since blossomed.

Portman, ultimately, went much further this time around. Beginning her preparations more than a year in advance, the actress trained several hours a day with a professional dancer from the New York City Ballet, swam daily miles and even engaged in cross-training to to apply realism to physical and mental consumption. role.

Adrian Brody

Adrian Brody in The Pianist

Roman Polanskyit is The pianist is a heartbreaking yet gripping story of loss and survival during the horrific events of the Holocaust in Poland. The enigmatic Adrian Brody landed the role of Polish-Jewish pianist and Holocaust survivor Wladyslaw Szpilman after a casting process that oversaw the auditions of some 1,400 actors.

Determined to succeed in this empathetically demanding role, Brody involved himself in a grueling preparation process during which he withdrew from the public eye for months. During this time, he gave up his apartment, sold his car, and broke up with his then-girlfriend; essentially stripping his life down to its absolute fundamentals. To familiarize himself with Szpilman’s own experience with starvation, the actor went on an extreme diet to lose 30 pounds and, at Polanski’s request, spent four hours a day practicing the piano. For his performance, Brody is still recognized as the youngest actor to win an Academy Award for Best Leading Actor. Only he can tell you if it was all worth it.

Daniel Day Lewis

Image via Miramax Films

The method game, like any other theorized practice, has its followers. It’s an approach that requires considerable dedication and a burning passion for one’s craft. In truth, considering everything discussed here, it would be a sordid crime not to include the name of the preeminent and now retired actor. Daniel Day Lewis. Famous for his selectivity as much as for the extraordinary lengths of immersion in roles he went to, Day-Lewis is a vivid example of the corresponding burden of acting method. His experiences describe the tiresome impact these preparations can have on an actor’s disposition throughout their career.

Related: From Abraham Lincoln to Bill the Butcher, 5 Essential Daniel Day-Lewis Performances

For my left foothe remained in a wheelchair during the production process and was spoon-fed by crew members to fully experience the overwhelming obstacles of cerebral palsy; he lived in the wild for six months to prepare for his role in The Last of the Mohicans, learn to trap and skin animals; and a now famous story of New York Gangs recounts that Day-Lewis remains in character in an authentic period costume made of materials only available at that time. The actor eventually caught a case of pneumonia from the weather and refused to be treated with anything other than authentic period medication, believing it was simply part of his character’s transition.

Hilary Swank

Hilary Swank in Million Dollar Baby

Two-time Oscar winner, it is a grave injustice that Hilary SwankAchievements are not recognized as strongly as they should be in a historically male-centric industry. Despite her dedication to craftsmanship and her natural talent for the theater, she has exhibited in boys don’t cry and Million dollar babyher career hasn’t blossomed as one might expect, especially when compared to her fellow actors discussed here.

To talk about his dedication, for his role as transgender Brandon Teena in boys don’t cry, she invoked an intense prep routine that saw her living as a man for a month. To achieve authenticity, she bandaged her chest, deepened her voice, and dieted to lose weight. On set, she remained in character, refusing to let the crew see her out of costume. In Clint Eastwoodit is Million dollar baby, she gained 19 pounds of strength training six days a week to box like a pro. Around this time, she developed a blister on her foot which led to a life-threatening staph bacterial infection.

health book

Heath Ledger - The Dark Knight

health bookperformance as the BatmanThe most notorious villain deserved to go down in movie history on his own merits alone. While that sentiment certainly still bears fruit, the cultural influence of his sublime performance was nevertheless overshadowed by the tragic and untimely deaths of the Australian actors before the release of The black Knight.

Ledger is a burning presence in the iconic role of The Joker (one that has since been recast 3 times for live footage). During pre-production, Ledger locked himself in a hotel room in London for a month, creating a diary and experimenting with vocal tones to fully immerse himself in the role. Despite the tragic background of the roles, the naturally induced mannerisms and startling idiosyncrasies of her performance speak volumes about the creative benefits of method acting.

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